The goal of a mass media propaganda campaign is to create the impression that ‘everybody knows’ that Saddam is a ‘threat’, Gaddafi is ‘about to commit mass murder’, Assad ‘has to go’, Corbyn is ‘destroying the Labour party’, and so on. The picture of the world presented must be clear-cut. The public must be made to feel certain that the ‘good guys’ are basically benevolent, and the ‘bad guys’ are absolutely appalling and must be removed.
Author: David Edwards
It is remarkable that, even after the deceptions of Iraq and Libya, journalists are so unwilling to report credible evidence challenging the US government’s version of events. This is made even more shocking by the fact that Trump has not, of course, been treated with the respect and deference usually reserved for US presidents. Rather, he has been subjected to a barrage of relentless and damning criticism. And yet, in response to his illegal bombing of a foreign country, the press has not only dropped its usual criticism, but showered Trump with praise while suppressing reasoned criticism. Yet more evidence that corporate journalism is dangerously corrupted by political and economic forces demanding Perpetual War.
Are we able to prove the existence of a corporate media campaign to undermine British democracy? Media analysis is not hard science, but in this alert we provide compelling evidence that such a campaign does indeed exist.
While ‘social media’ like Facebook and Twitter are forms of corporate media, it is unarguable that they and other web-based outlets have helped empower a serious challenge to traditional print and broadcast journalism. For the first time in history, uncompromised non-corporate voices are able to instantly challenge the filtered ‘mainstream’ version of events. This certainly helps explain the rise of […]
For indeed the unwritten rule informing this type of journalism is: if you want to get close to the ‘defence’ establishment, you better be close to the ‘defence’ establishment: ideologically, sympathetically, ‘patriotically’.
A near-perfect example of this industry-wide perceptual bias has been supplied this year by BBC diplomatic editor, Mark Urban.